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MICHAEL JACKSON 1958--2009 RIP
Theaterscene mourns the sudden tragic death of Michael Jackson. Although he wasn't technically a man of the theater, everything about him was theatrical. His unique creativity and talent influences us all. He was and will always be the embodiment of Show Business and his spirit is all pervasive. Jeanne Lieberman, Editor; Jack Quinn, Publisher
Broadway:Musicals
 | The Wiz <= new Lighthearted throughout, often delightfully silly with powerhouse performances though not yet Broadway ready. , by Michael Patrick Hearn on June 22 |
 | 9 To 5 <= new Its Dolly Parton’s show from the first downbeat of her Grammy winning song, “9 to 5”, that frames the show, by Eugene Paul on May 10 |
 | Rock Of Ages A new musical built around golden oldies from the 80’s. Loud, fast, flashy, trashy and barrels of fun. Drinks extra. , by Eugene Paul on Apr. 18 |
 | Hair To examine the show as a “musical” is to do it an injustice- the sum is greater than its parts though current political climate mitigates its message, by Jeannie Lieberman on Apr. 18 |
 | Billy Elliot A brilliant concept of storytelling through movement so the overall picture of a town in crisis and Billy’s story are seen at once, by Jeannie Lieberman on Nov. 25 |
 | Shrek A new musical which is a treasure trove of children’s’ fables overlaid with adult foibles. , by Eugene Paul on Dec 20 |
Broadway:Plays
 | Accent On Youth <= new There's No Magic, But Mtc's Revival Offers Two Hours Of Thoughtful, Well-Played Comedy, by Andy Smith on May 10 |
 | Desire Under The Elms <= new Fierce energetic drama involving a defiant farm boy, his tyrannical father, and the father’s new sexy wife is still riveting to watch, by Deirdre Donovan on May 10 |
 | Waiting For Godot <= new . . . all that existential stuff becomes more than merely accessible as it transcends into something glorious. , by Simon Saltzman on May 5 |
 | Reasons To Be Pretty <= new The Tin Man Gets a Heart! LaBute Finally Cuts His Characters Some Much-Deserved Slack, by Andy Smith on Apr. 30 |
 | The Norman Conquests <= new The Old Vic’s smash hit revival will have you rolling in the aisles through three plays. Laugh your sides off one by one or all the way. , by Eugene Paul on Apr. 29 |
 | Mary Stuart <= new Legendary Queen Bees battle for supremacy in three engrossing hours of intrigue, by Andy Smith on Apr. 29 |
 | The Philanthropist Matthew Broderick and cast are adrift in revival of Christopher Hampton’s 1970 comedy of academia and sexual politics, by Victor Gluck on Apr. 29 |
 | Joe Turner's Come And Gone Theatrical magic for which actors as well as audience need feel grateful. August Wilson can only be happy for them and for himself., by Eugene Paul on Apr. 23 |
 | God Of Carnage James Gandolfini returns to the stage in new play by author of Art which is a ferocious comedy of bad manners, by Victor Gluck on Mar. 29 |
 | Blithe Spirit Everyone who loves Coward’s brittle and witty plays will appreciate the sublime staging of this joyous production, by Simon Saltzman on Mar. 15 |
 | 33 Variations …a fascinating, elegantly written, absorbing play with an interestingly developed leading role., by Simon Saltzman on Mar. 8 |
Regional:Musicals
 | The Pirates Of Penzance <= new A rousing, high-energy version which excelled in all areas of stagecraft, plus , by Edward Lieberman on June 7 |
Off-Broadway:Musicals
 | Coraline Imaginative, magical, and delightful stage musical of the cult novel by Neil Gaiman is a treat for young and old alike , by Victor Gluck on June 9 |
Off-Broadway:Multimedia
 | Kooza <= new Cirque du Soleil returns to Randall’s Island with an exciting new show that combines acrobatics and the art of clowning, by Victor Gluck on Apr. 28 |
Off-Broadway:Plays
 | Twelfth Night <= new Wizard director Daniel Sullivan whips this all-star cast into such a delightful soufflé that this oft-seen comedy seems fresh and light, by Victor Gluck on June 29 |
 | Planet Connections Theatre Festivity <= new Short plays about Dorothy Parker, Emily Dickinson, and Anne Sexton offering delectable morsels of poetry, and two are worth traveling for., by Deirdre Donovan on June 25 |
 | In Conclusive Woman <= new Confessional multimedia one-woman show is seven plays in one with important themes and heavy subtext,, by Victor Gluck on June 23 |
 | Our House <= new A diatribe aimed at the decaying values of network television. But Rebeck’s drama is too dated to have real impact. , by Deirdre Donovan on June 23 |
 | Waterwell’S #9 <= new Hanna Cheek, David Ryan Smith, Matt Dellapina and Kevin Townley created a revue based on how technology has changed us., by Eugene Paul on June 22 |
 | Sweet Storm <= new In deepest rural Florida in 1960, they can’t tell the raging in their blood from the raging of Mother Nature in another guise, by Eugene Paul on June 15 |
 | Night Sky Astronomy and the cosmos become a fascinating metaphor for aphasia when a professor loses her ability to speak, by Victor Gluck on June 10 |
 | Vieux Carre <= new Second tier WIlliams but the Pearl, under Austin Pendleton's direction, gives it a first rate revival, by Deirdre Donovan on June 4 |
 | Groundswell <= new Powerful new post-apartheid play from South Africa is leisurely storytelling in the manner of Athol Fugard & David Mamet, by Victor Gluck on June 7 |
 | A More Perfect Union <= new examination of the role of “context” in the High Court has taken on greater importance than could have been anticipated, by Edward Lieberman on June 1 |
 | When You Comin’ Back, Red Ryder <= new tough, rough, gruff play with remarkable actors operating as an ensemble with not one stray movement , by Wickham Boyle on May 16 |
 | It Pays To Advertise <= new 1914 satire of business and advertising proves to be pertinent all over again in Metropolitan Playhouse revival, by Victor Gluck on May 14 |
 | Galileo <= new The Milk Can Theatre Company has staged Galileo with unmistakable dedication to Bertolt Brecht’s rarely-produced masterpiece , by Deirdre Donovan on May 7 |
Music:Cabaret
 | Jim Van Slyke: The Sedaka Show <= new “The Sedaka Show” deserves serious recognition ... a well structured, dynamic show by an artist overdue for more recognition., by John Hoglund on June 29 |
 | Ute Lemper At Poisson Rouge <= new Lemper celebrates the release of her new autobiographical album “Between Yesterday and Tomorrow” , by Deirdre Donovan on June 16 |
 | Patty Clark At Sardi's a shining set of standards sung by a consummate pro in a league with swing greats, by John Hoglund on May 13 |
 | The Broadway Musicals Of 1931 It was the great Depression Era, but what up-lifting musicals there were in 1931 to help make people forget. , by Simon Saltzman on Apr. 1 |
Music:Concerts
 | The Broadway Musicals Of 1970 <= new …a reminder how much audiences love to applaud wonderful performers in a terrific show., by Simon Saltzman on June 15 |
 | The Broadway Musicals Of 1944 …another diverting evening in which both the obscure and the revelatory were taken out of mothballs for our pleasure., by Simon Saltzman on May 17 |
Regional:Musicals
 | The Pirates Of Penzance A rousing, high-energy version which excelled in all areas of stagecraft, plus , by Edward Lieberman on June 7 |
Dance
Features & Interviews
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