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THE DRILLING COMPANY'S SHAKESPEARE IN
THE PARK(ING) LOT SETS "JULIUS CAESAR" IN A MODERN SCHOOL BOARD.
Do we really govern ourselves through
plurality or charisma? Staging Shakespeare's historical drama in the modern
setting of a school system may shed some light.
WHERE AND WHEN:
July 29 to August 14, 2010
Municipal Parking Lot at the corner of Ludlow
and Broome Streets, Manhattan.
(Subways: F to Delancy Street, walk one block
south.)
FREE
Thursdays - Saturdays at 8:00 PM
Audience info: call 212-873-9050.
Company's website: http://www.shakespeareintheparkinglot.com
Running time 2:10. Critics are invited
on or after July 29.
NEW YORK, June 22 -- The second and
final production this summer of The Drilling Company's Shakespeare in
the Park(ing) Lot will be "Julius Caesar," directed
by Hamilton Clancy (Artistic Director) July 29 to August 14.
In an unusual adaptation, Shakespeare's drama about the nature of ambition
and politics is set in a contemporary urban school system.
The Drilling Company's two-part Shakespeare
in the Park(ing) Lot season also includes "Love's Labours
Lost," directed by Kathy Curtis, July 8 to 24. This
is the 19th consecutive year for Shakespeare in the Park(ing) Lot, a favorite
New York summertime cultural treat that is performed free in a municipal
parking lot at the corner of Ludlow and Broome Streets, Manhattan.
In Shakespeare's "Julius Caesar,"
a favorite for all ages, the commoners rejoice over Caesar's triumph over
Pompey while the patricians, fearing his irresistable ambition, conspire
against him and enlist the noble Brutus to their cause with the manipulation
of wily Cassius. After their plot is successful and Caesar is assasinated,
Mark Antony incites the rabble against the conspirators with uncanny rhetorical
skill, then allies with Octavius Caesar and Lepidus against Brutus and
Cassius. Octavius' army prevails and Cassius and Brutus are forced to accept
defeat by falling on their own swords.
In this updated version, Shakespeare's
text is intact but Caesar becomes an administrative head of a school murdered
by staffers and parents intent on preserving the prior system. The roles
of Cassius and Mark Antony are cast with women. Director Hamilton Clancy
explains, "We're trying to find small worlds where the struggles for
power and authority are intense and fought with life and death vigor. We
were also searching for worlds in which women share power on an equal level
with men. When we look around today at the front pages of our papers, those
battles are being fought over the school system and education because in
America, our class wars are being fought tooth and nail in the halls of
schools all over the city. Along comes one man who says to the Department
of Education, give over control of all the schools to me and everything
will be better."
Clancy explains where the idea came
from "We talked about how we govern ourselves, through plurality or
charisma. Is it individuals who lead or systems that work? Big government
versus small government?" A big city's school system seemed to be
a suitable microcosm for a fresh look at the question.
Hamilton Clancy (Director, Caesar)
is founder and producing Artistic Director of The Drilling Company. As
an actor, he has appeared in new works Off-Broadway in cluding "Dog
Logic" at the American Place Theatre and "The Retributionists,"
directed by Leight Silverman at Playwrights Horizons. His films include
the Coen Brothers "Burn After Reading" and Ridley Scott's
"American Gangster." For television, he has appeared on
"Third Watch," "Law and Order," "The Unusuals,"
"Life on Mars," "All My Children" and "One Life
to Life," among others. In the Parking Lot, he began as an actor
and quickly became a producer and director as well. As an actor he has
played Hamlet , Henry the Fifth, Benedict and Petruchio. As a
director, his previous parking lot productions include "Two Gentlemenen
of Verona" set in Little Italy and last summer's "Measure
for Measure " set in the Deep South. For The Drilling Company,
he has directed world premieres of "Mutant Sex Party"
by Edward Manning, "Over the Line" by NYIT award winning
P.Seth Bauer and "Bird Brain" by Vern Theissen, winner
of the Canadian Govenor's award. He has produced other premieres including
"Atomic Farmgirl" by C. Denby Swanson (recognized with
grants from the McKnight Foundtion, Jerome Foundation and TCG), "Windows
on the World" by Peter Killy, "Big Apples" by
Stephen Bittrich and "Dealers" by Neal Olson. For The
Drilling Company, he has commissioned and produced over 200 short plays,
including an early short version of the Pulitzer prize recognized "Thom
Pine:based on nothing" by Will Eno, in which he also originated
the title role, and Vincent Delaney's Heidemann award winning short, "KUWAIT."
He has also produced and directed multiple work by Andrea Moon, Brian
Dykstra, Scott Baker, Eric Henry Sanders. In the fall, he will direct the
world premiere of "The Reservoir" by Eric Heny Sanders.
Rebecca Lord, (Costume Design),
currently of NYU's graduated design program, returns as designer to the
Parking Lot for her third season, having previously designed The Drilling
Company's ""Measure for Measure," "Midsummer Night's
Dream," "Twelfth Night," "FAITH," "Atomic
Farmgirl," "HERO" and "JUSTICE, SECURITY, and
REVENGE part 2."
The cast features Selene Beretta,
a company member of NY's Amoralists Theatre Company and several past Drilling
Company productions as Cassius. Ivory Aquino, a member of the Flea
Theatre's BATS and Leviathan Theatre group who appeared last summer as
Isabella in "Measure for Measure," plays Marc Antony. She is
a cousin of former Philippine prime minister Corazon Aquino. Mark Jeter,
who last appeared in the Parking Lot in "Measure for Measure,"
will play Brutus. Brandon Riley, seen memorably in "Over the
Line" at The Drilling Company this fall, plays Lucius. Bill Green,
who appeared in "Measure for Measure" and "Much Ado about
Nothing," plays Casca. The cast also includes Bobby Plasencia,
Brian D. Hills, Leila Okafor, Marianna Caldwell, Joann Sacco, Bill
Green, Amanda C. Fuller and Jarad
Benn.
The Drilling Company (http://www.drillingcompany.org
) took over as producer of Shakespeare in the Park(ing) Lot seven years
ago. [A history of Shakespeare in the Park(ing) Lot will be available soon
on the Drilling Company website.] The troupe, founded in 1999, is also
a prolific presenter of new works in its permanent home at 236 West 78th
Street (one block south of the #1 train at 79th Street), where it nurtures
and produces new works by emerging playwrights. The Drilling Company has
developed and produced works by such well known playwrights as Will Eno,
Brian Dykstra, C. Denby Swanson, Tom Strelich, Vincent Delaney, Eric Henry
Sanders and Trish Harnetiaux. The company is led by Artistic Director
Hamilton Clancy, who has been an actor in Coen Brothers "Burn After
Reading" and Ridley Scott's " American Gangster" and recently
appeared at Playwrights Horizons in "The Retributionists" by
Daniel Goldfarb, directed by Leigh Silverman.
The pairing of "Love's Labours
Lost" and "Julius Caesar" for this year's Shakespeare in
the Park(ing) Lot was actually a thematic choice, not a marriage of convenience.
Says Artistic Director Hamilton Clancy, "We thought it was a good
time to explore two works about folks getting along--and not--in love and
politics."
Performances are Thursdays through
Saturdays at 8:00 PM for both shows. Seating is on a first come first served
basis, with audience members often arriving as early as 7:00 PM to secure
a place. You are encouraged and welcome to bring your own chair. Once seats
are gone, blankets are spread out.
This production is made possible
with Funds from The New York State Council on the Arts and The Lower Manhattan
Cultural Council.
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