| Danspace Project (DSP) returns to the City/Dans
series for May 2010. “After launching our new PLATFORM 2010 program, we
are excited to return to our City/Dans series. This season, we are
presenting singular performance events by artists known for their rigor
and risk-taking,” says Judy Hussie-Taylor, executive director of Danspace
Project.
Emerging artist Melinda Ring brings her first evening-length
work to Danspace with X [May 13-15], a piece inspired by Dan Graham’s
video “Rock My Religion.” Ring collaborates with Whitney Biennial artist
Martin Kersels on this one of a kind performance. Also presented
this season are choreographer Pam Tanowitz and acclaimed artists
Eiko & Koma – both with deep ties to Danspace Project. Pam
Tanowitz, who The New Yorker calls “a clear sighted
post modernist”, brings live music into the sanctuary in her exploration
of Schubert’s The Wanderer’s Fantasy [May 20-22]. Eiko &
Koma will launch their groundbreaking, three-year national retrospective
and, like the platforms, this provides another opportunity to better understand
the context within which these artists have been making work for nearly
forty years [May 27-29]. Through our Academy Dances program we are
honored to host Florida State University (FSU) School of Dance
for the first time. FSU has an extraordinary dance program and is home
to the Maggie Allesee National Choreographic Center (MANCC), which has
made an impact on dance artists throughout the United States.
In addition to the presented artists in the City/Dans
series, DraftWork, the works-in-progress showing curated by Ishmael
Houston Jones, will feature the final set of artists for the 2009-2010
season: Lindsey Drury and Martin Lanz. In a major change
in the Danspace Project programming, June 2010 will feature companies selected
through the DANCE: Access subsidized rental series: Nancy Meehan
Company, Dancewave. C. Eule Company and Murray Spalding Mandalas. The Access
schedule runs from June 4 to June 26.
Looking towards Fall 2010, choreographer and fall PLATFORM
curator Trajal Harrell is accepting applications for The Adventure.
Eight to ten artists, selected through open application, will consider
the critical role of the choreographic artist in society. The Adventure
is modeled on a lab first developed and conducted by Mårten Spångberg/International
Festival at the ImPulsTanz Vienna International Dance Festival in 2006.
To apply, please send a resume and/or CV, plus a maximum one
page motivation letter addressing why you would like to participate in
this project to info@danspaceproject.org
by May 14th. For more information, please visit our website http://www.danspaceproject.org.
Danspace Project’s Spring Season Listings
Academy Dances: Florida State University
May 6-8, 2010 • [Thu-Sat] • 8:00 PM
Academy Dances, which showcases dance-makers and artists
from renowned college and university dance programs returns with Florida
State University School of Dance. With a history of making “creative
and intellectual contributions to the larger dance community,” FSU presents
faculty and student performances to works by esteemed faculty members,
including Jawole Willa Jo Zollar, Gerri Houlihan, Dan
Wagoner, and Maggie Allesee National Center for Choreography guest
artist Monica Bill Barnes and alumni including Daniel Clifton,
Adele Myers, Tom Pearson and Jennine Willett of Third
Rail Projects, and A’Keitha Carey (who appeared at Danspace this
fall in Cynthia Oliver’s Rigidigidim De Bamba De: Ruptured Calypso).
City/Dans:
Melinda Ring, with Martin Kersels
X
May 13-15, 2010 ·
[Thu-Sat] ·
8:00 PM
Admission: $18 ($12 for members)
Choreographer Melinda Ring pulls inspiration from
conceptual artist Dan Graham’s film “Rock My Religion,” which connects
the ecstatic dances of groups like the Shakers with rock and roll. For
X, visual artist Martin Kersels creates an incidental soundscore,
turning the legendarily acoustically live sanctuary into a single enormous
sound machine; while below dancers Talya Epstein, Maggie Jones, Molly
Leiber, Marilyn Maywald, and Antonietta Vicario boldly generate
an equally dynamic physical force-field.
City/Dans:
Pam Tanowitz
The Wanderer Fantasy (Experiments 1 & 2)
May 20–22, 2010 ·
[Thu-Sat] ·
8:00 PM
Admission: $18 ($12 for members)
In The Wanderer Fantasy, Pam Tanowitz explores
performance rituals and unmasks the codified techniques in contemporary
collage. The piece mirrors and comments on two versions of The
Wanderer Fantasy, Fantasie in C major, Op. 15 (D. 760) by Franz
Schubert (played live by pianist Alan Feinberg) and a recorded orchestral
arrangement by Franz Liszt. The Wanderer Fantasy is performed
by Christina Amendolia, Dylan Crossman, Katie Diamond, Ellie
Kusner, Anne Lentz, Theresa Ling, Vincent McCloskey, Uta Takemura,
and Purchase Dance Corp. The set and lighting design are by
Philip Treviño and costumes by Karen Young.
City/Dans:
Eiko & Koma
Retrospective Project
May 27–29, 2010 ·
[Thu-Sat] ·
8:00 PM
Admission: $18 ($12 for members)
For nearly forty years, Eiko & Koma have been
creating a unique theater of movement out of stillness, shape, light, sound
and time. Using their past works and their artistic trajectory as source
material, Eiko & Koma are examining the concept of a visual arts retrospective
in a performing arts context. Danspace Project is committed to presenting
all phases of Eiko & Koma’s three-year, multi-faceted Retrospective
Project, in collaboration with other New York venues and art centers around
the country.
Guest speakers for the event include:
Thursday, May 27th: Margaret Leng Tan, a
critically acclaimed pianist who collaborated with Eiko & Koma in 2007
on Mourning
Friday, May 28th: Sam Miller, the Retrospective
Project producer, and Charles Reinhart, director of the American
Dance Festival
Saturday, May 29th: David Gordon and Valda
Setterfield, renowned choreographer and dancer from Gordon's Pick Up
Performance Company
DraftWork
Curated by Ishmael Houston-Jones, the DraftWork
series hosts informal Saturday afternoon performances that offer choreographers
an opportunity to show new works in various stages of development. Performances
are followed by discussions and informal receptions allowing both artists
and audiences a greater perspective on the other’s viewpoint.
Lindsey Drury and Martin Lanz
May 22, 2010 • [Sat] • 3:00 PM
Admission: Free; No Late Seating
The Slick Filling of Aches and Cavities by Lindsey Drury offers
a voyeuristic window into the private deterioration of a romantic relationship,
while shining a light on the nature love and the intimacy of consumerism.
Movement acoustics by Martin Lanz focuses
on the resonance of the movement. Lanz brings his fascination with architecture,
physics and philosophy into this piece.
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